After the AI content explosion, the biggest problem with music, video, and art IP isn’t production—it’s who owns it, who can license it, and who gets paid.

@KorProtocol is doing exactly this blank space.
It’s a Creative Asset Clearinghouse in the Base ecosystem. You can think of it as a clearing center for creative assets: creators register their works on-chain, the system verifies ownership, licensing terms, and revenue-sharing relationships, and then matches these assets to parties with needs such as labels, brands, platforms, and curators.
Once a transaction happens, the subsequent royalties and revenue sharing are automatically settled via smart contracts + USDC.
This is tailor-made for the AI era.
Back then, for a song, a video, a remix, or training material, the question of who had the rights and who should get paid often dragged on slowly through emails, contracts, and manual reconciliation. Now content production is getting faster and faster—if ownership and settlement still rely on the old methods, creators simply can’t capture the efficiency upside.
KOR’s business closed loop is clear:
It matches “creators’ IP assets” with “buyers who need copyright/content/licensing.”
Creators list their works, audio stems, stem packs, remix rights, and AI training authorizations; labels, brands, and platforms/content players buy licenses, look for materials, and collaborate. KOR makes money from licensing transactions, settlement and revenue sharing, the Creator Hub, content tools, and protocol services.
So it’s not just talking about AI + IP—it’s turning creative content into assets that can be verified, traded, and continuously split for revenue.
Currently, KOR already has 1 million+ registered users, 285 thousand+ NFTs, $2 million+ in revenue, $2.5 million creator IP value, and 1000+ IP collaboration partners.
In July, it just completed a $7.5 million Series A, led by 1kx and Blockchain Capital, with participation from Animoca Brands, Republic, Solana, and others. Creators/content IP like deadmau5 and Black Mirror are also supporting it.
Now KOR’s interaction window might not be fully closed yet.
If you’re a musician, video creator, remix player, or AI content creator—or if you have copyright monetization needs—you can try products like KORUS and KOR Hubs. Run through the workflows like registering works, licensing, remixing, and revenue sharing—doing so will help you understand the problem it solves more than just reading the project introduction.
The TGE may not be far, but more important than watching the date is first understanding why it will become one of the few Base projects that can connect AI, copyright, and creator income.