Recently, I’ve been delving into Limit Break, a company that I find quite interesting, and I’ve discovered a Web3 gaming experiment—DigiDaigaku. The underlying logic behind this NFT project is definitely worth paying attention to.

First, let’s talk about the founder Gabriel Leydon’s background; his life experience reads like a hero’s journey. Starting at age 19 playing arcade games at amusement parks, he gradually understood a core insight: games are not just games—they are a business. He previously worked on arcade testing at Atari, then founded Machine Zone, which developed the phenomenally successful game Game of War: Fire Age. That game, during 2014-2015, had an average user spend of up to $550, more than six times the average annual spend of mobile game players at the time. This background is very important because it explains why Limit Break can deeply explore the concept of Free to Own.

Regarding DigiDaigaku’s core innovation, I think the smartest part is the “Free to Own” model design. Simply put: all NFTs are minted for free, but the project team takes a 10% royalty from secondary market transactions. This seems straightforward, but the underlying business logic is solid—no longer relying on one-time sales revenue, but instead earning through long-term royalty sharing. This naturally aligns the interests of creators and players.

In August 2022, when DigiDaigaku was first launched, 2,000 Genesis NFTs were sold out in 17 minutes. At that time, there was no community promotion—just Gabe’s influence and carefully designed mechanics—so the floor price directly stabilized at 3 ETH. The subsequent operational rhythm was also interesting—they kept airdropping new NFT series, such as Spirits, Heroes, Dark Spirits, and so on, each bringing new ecosystem activities. By September, the DigiDaigaku Genesis floor price soared to 16.8 ETH, coinciding with a funding announcement of $200 million.

I also noticed their ecosystem-building approach is quite unique. Gabe invested in multiple Web3 projects like YGG and Castaways, then airdropped Adventure Keys from these projects to DigiDaigaku holders, enabling cross-project collaboration. Castaways now has 120k monthly active users, which is quite impressive. This shows that DigiDaigaku’s traffic is indeed transferable—not just virtual community hype.

From a valuation perspective, the current market cap of the DigiDaigaku NFT series is around $40 million, but the valuation of Limit Break’s primary market, based on funding ratios, is at least $1 billion. Considering the project’s ample cash reserves and steady royalty income (Genesis trading volume approaching 20k ETH, with about 1,000 ETH in royalties over four months), plus the upcoming game launch, I personally believe DigiDaigaku’s current valuation is undervalued.

However, risks must also be clearly stated. The main challenge is whether they can deliver high-quality game products and achieve good user retention. DigiDaigaku’s ecosystem relationships are quite complex, and new players might find it difficult to understand where the ecosystem’s core focus lies. Additionally, whether this large NFT system and the project’s value capture can truly be connected into a coherent whole depends on the game’s performance after launch. Based on the Super Bowl ad, the material was relatively sparse, so the effect might not meet expectations.

Overall, DigiDaigaku represents a new paradigm attempt in Web3 gaming. The combination of Free to Own, cross-project collaboration, and ample funding support makes it worth following for future developments. Of course, the ultimate test is whether the game itself can attract and retain users—that’s the key to success or failure.